필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

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필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

 

필립 윌슨 스티어(Philip Wilson Steer), 영국, 화가, 1860-1942

미술교사의 아들로 태어난 '필립 윌슨 스티어'는 바다 풍경을 주로 그란 영국의 인상파 화가입니다. 공무원이 되려 했으나 시험이 너무 어려워, 어릴 적 꿈이었던 화가가 되기로 결정하고 파리 유학도 다녀왔죠.

 

인상파 작가들의 영향을 받고 돌아와, 영국 바다의 빛과 대기를 묘사하기 시작했습니다. 때로는 절제된 색으로 바다와 인물을 묘사하고, 때로는 색종이를 깔아놓은 듯한 느낌으로 해변의 자갈들을 표현했습니다. 해질 무렵 달려가는 선착장의 소녀들은 빛과 그림자의 대비가 뛰어난 작품입니다.

 

나이 일흔 넘어 시력이 나빠져 더 이상 그림을 못그리게 되자,  "그릴만큼 충분히 그렸어"라고 말하고 그는 붓을 놓았답니다.

 

                                                                                                     About Him

 

Philip Wilson Steer OM (28 December 1860 – 18 March 1942) was a British painter of landscapes, seascapes plus portraits and figure studies. He was also an influential art teacher. His sea and landscape paintings made him a leading figure in the Impressionist movement in Britain but in time he turned to a more traditional English style, clearly influenced by both John Constable and J. M. W. Turner, and spent more time painting in the countryside rather than on the coast. As a painting tutor at the Slade School of Art for many years he influenced generations of young artists.

 

Steer was born in Birkenhead, in Merseyside, the son of a portrait painter and art teacher, Philip Steer (1810–1871) and his wife, Emma Harrison (1816-1898). When Steer was three years old the family moved to Whitchurch near Monmouth from where, after a period of home schooling, he attended the Hereford Cathedral School. After finding the examinations of the British Civil Service too demanding, he became an artist in 1878. He studied at the Gloucester School of Art and then from 1880 to 1881 at the South Kensington Drawing Schools. He was rejected by the Royal Academy of Art, and so studied in Paris between 1882 and 1884, firstly at the Académie Julian, and then in the École des Beaux Arts under Alexandre Cabanel, where he became a follower of the Impressionist school. In Paris he was greatly influenced by seeing works by Edouard Manet and James McNeill Whistler and the French impressionists.

 

When he returned to England, Steer established a studio in London and began to develop an impressionist style in which he depicted beach scenes and seascapes in a silvery translucent light. His painting of Poole Harbour, completed in 1890, is an example of the outstanding atmospheric effects he was able to capture. Steer often stayed at the Suffolk coastal town of Walberswick and the works he painted there are remarkable for their freshness and depiction of light and shade. Works such as The Bridge, The Beach at Walberswick (1890) and Girls Running: Walberswick Pier (1894) show Steer at the peak of his abilities. His misty Impressionist style is striking in such paintings as The Beach and Fisher Children. Steer also painted scenes at nearby Southwold.

 

Between 1883 and 1885 Steer exhibited at the Royal Academy and in 1886 he became a founder of the New English Art Club, with whom he continued to exhibit regularly. With Walter Sickert he became a leading British Impressionist, showing works at the London Impressionist exhibition held at the Goupil Gallery in 1889. Besides the French Impressionists he was influenced by Whistler and, later, such old masters as Francois Boucher, Thomas Gainsborough, John Constable and J. M. W. Turner. Steer was frequently criticised by conservative British critics for his impressionist works such as Boulogne Sands, so much so that for a period he stopped showing his more adventurous works. In the 1890s as he moved away from French Impressionism, Steer's work received greater appreciation. Portraits, such as Girl Reading A Book from 1895, a portrait of Rose Pettigrew, his model and girlfriend, and Portrait of Mrs Raynes (1922) were well-received. In 1887 Steer spent some time at the Etaples art colony. In the early 1890s he began to paint more in watercolours than he had previously. Between 1893 and 1911 he visited several sites associated with the 18th century picturesque tour.

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