코르네유(Corneille, Guillaume Cornelis van Beverloo), 네덜란드, 화가, 1922-2010
'코르네유'라는 예명으로 더 잘 알려진 'Guillaume Cornelis van Beverloo'는, 1950년대 초 보수적인 네덜란드 예술계를 급진적으로 바꾼 화가이자 그래픽 아티스트입니다.
그의 작품은 상상력과 시적으로 표현되며, 강렬한 보색을 많이 사용하며, 고양이라든지 새, 닭, 여성과 같은 친숙한 주제를 많이 다루었습니다.
자신을 '나는 기쁨의 화가'라고 선언한 그는, 어린이 그림에서 영감을 얻고 아프리카 예술에 영향을 받아 더욱 풍부한 상상력을 작품에 담았습니다. 특히 피카소와 클레의 영향을 받았으며, 고흐의 색채와 형태 사용 기법도 엿보이는 작가입니다.
About Him
Corneille – Guillaume Cornelis van Beverloo (3 July 1922 – 5 September 2010), better known under his pseudonym Corneille, was a Dutch artist. Corneille was born in Liège, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art. He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland. Corneille was inspired by the drawings of children, and believed in the importance of approaching children with art that connects with their experience. When he heard during a Cobra Museum visit in the nineties that there was an “Art Lending for Children” he talked with the founder Roby Bellemans and asked him to send more information to his home in Paris about this project. He decided to promote the initiative. He started with a support list and persuaded other artists such as Shinkichi Tajiri to sign. The poetic Corneille was strongly influenced by Miró and Klee. After the group dissolved in 1951 he moved to Paris and began collecting African art. These artifacts became evident in his works, which began to take on a more imaginative style, like landscapes seen from a bird's eye view, exotic birds and stylised forms. His work is in the collection of the Centre Georges Pompidou. Until his death Corneille lived and worked in Paris, and made visits to Israel where he worked with the Jaffa Atelier. On 24 September 2003 an exhibition of his prints opened at the Ramat Gan Museum of Israeli Art, Israel. He died at Auvers-sur-Oise, France.
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