아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

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아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

 

아실 로지(Achille Lauge), 프랑스, 화가, 1861-1944

점을 찍어서 목가적인 프랑스의 시골 풍경을 표현한 '아실 로지'는 신인상주의 화가입니다. 파리에 있으면서 점묘파 화가, '쇠라' 등의 영향을 받았으나, 살롱전에서 여러 번 낙선한 후, 프랑스 남부의 고향으로 돌아와 자신만의 점묘법을 개척하게 됩니다.

 

다른 화가들이 촘촘하게 점을 찍는 것에 비해, 그는 더 크고 길쭉한 붓질로 표현했으며, 이런 방법을 써서 독특한 질감과 색감을 나타낼 수 있었습니다.

 

아몬드 나무의 하얀 꽃, 들판에 물든 작은 연두색과 노란색 등이 조용한 전원을 무척 평화롭게 만들어줍니다.

 

                                                                                                      About Him

 

Achille Laugé was born the same year as Bourdelle and Maillol, who would later become his friends. He trained to be a pharmacist in Toulouse, according to his parents’ wishes, but also studied at the École des Beaux-Arts, where he met Bourdelle. In 1881 he was admitted to the École des Beaux-Arts in Paris to study in the studio of Alexandre Cabanel and Jean-Paul Laurens, where he met Maillol. He gave lodging to Bourdelle and did his military service in Paris. He left Paris in 1888 and from 1889 had a studio in Carcassonne, where he formed numerous friendships. Two years after the death of his wife, whom he had married in Cailhau in 1891, he himself died: the same year as Maillol.

 

By the time he left Paris, Laugé had adopted the Divisionist touch championed by the Neo-Impressionists, and adhered to it more or less closely throughout his career. From 1905, in order to paint in situ, he procured a studio-caravan. For several years from 1916 onwards he had a base in Alet (Aude) and from 1926 spent the summer months in Collioure. From 1932 he had a studio in Paris and lived next door to his friend Bourdelle. In 1913 and 1926 he produced tapestry designs in response to commissions from the Gobelins tapestry manufactory.

 

Laugé exhibited three paintings in Paris at the 1894 Salon des Indépendants and the same year featured in an exhibition alongside Bonnard, Maurice Denis, Sérusier, Roussel, Toulouse-Lautrec and Vuillard in Toulouse. In 1900 a large composition by him was rejected by the Société Nationale des Beaux-Arts, and in 1908 he was rejected by the Salon d’Automne. Laugé had his first solo exhibition in Paris in 1907, followed by many others (1911, 1919, 1923, 1927, 1929, 1930). He also showed collections of his works in 1926 in Toulouse and Perpignan. In 1968 he featured in the exhibition on Neo-Impressionism at the Guggenheim Museum in New York. Other retrospective exhibitions took place at the following: the Musée de Limoux (1958); the Musée des Grands-Augustins in Toulouse (1961); London (1966); New York (1967); London (1968); and Paris (1969).

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한국자폐인사랑협회 (ASK, Autism of Korea Society), 작가 정기전시회

 

5.10 총선거 투표 독려와 역대 대선 후보 포스터

 

이영철, 한국, 화가, 1960-현재