안나 보베르(Anna Boberg), 스웨덴, 예술가, 1864-1935
스웨덴 스톡홀름에서 태어난 '안나 보베르'는 거의 독학으로 그림을 공부한 화가이자, 디자이너입니다. 그녀의 대표작은 북극권에서만 볼 수 있는 화려하고 신비로운 빛, "오로라"입니다.
파리에서 잠시 미술아카데미를 다닐 적에 건축가인 남편을 만났는데, 노르웨이 북쪽 항구를 함께 여행했었죠. 그곳에서 북극의 자연에 매료되어 남편을 먼저 돌려보내고, 혼자 남아 북극의 풍경을 그렸답니다.
거센 눈보라와 매서운 추위 속에 스튜디오도 마련하여 그림 그리기를 30여 년.
'미술계의 탐험가'였던 그녀 작품은 프랑스와 미국에서는 널리 알려져 있었지만, 정작 고국 스웨덴에서는 불과 5~6년 전에서야 알려지기 시작했답니다.
About Her
Anna Katarina Boberg, née Scholander, (3 December 1864 - 27 January 1935) was a Swedish artist married to prominent architect Ferdinand Boberg. Anna Scholander was the daughter of architect Fredrik Wilhelm Scholander and the granddaughter of Axel Nyström. Boberg was a person of many artistic pursuits; initially she worked with ceramics and textiles (among other things she created “the Peacock vase” for Rörstrand) and besides painting she also worked with set design and writing, for example. She was of an artistic family, but never received any formal training in the arts, and is considered an autodidact. Many of her paintings are of northern Norway, which became Boberg’s main focus for many years after a trip there in 1901. These works were not received very well in Sweden, but did much better in Paris. Boberg spent a great deal of time in the area near Lofoten in Norway, where she eventually had a cabin, and she made many of those trips on her own.
Anna Boberg was the sixth of seven children in the Scholander family. She studied French, and was briefly enrolled at the Académie Julian in Paris to study painting. Paris is also where she met future architect Ferdinand Boberg, who was there on a study trip. They were engaged in 1884. Ferdinand Boberg was at the time far from having his finances in order, but Anna Boberg persuaded her mother Carin, née Nyström, to allow them to marry anyway; her father had died in 1881. Anna Boberg lacked formal training but began painting already in 1882 during a trip to Spain with her mother and some of her siblings. Her father had found a profitable sideline in painting and drawing. The Bobergs married in 1888, initially staying with the Scholanders, until their improved economy allowed them to move into their own flat at Tegnérgatan 13 in Stockholm. In 1896 the couple had their summer house Villa Ugglebo built in Norra Djurgården in Stockholm.
In 1887 Anna Boberg began painting in earnest, mainly using watercolour, and she had her first exhibition in 1888. During the 1890s she also painted 'tapestries,' oil paintings on rough canvas reminiscent of woven tapestries. These 'tapestries' were displayed as wall decorations in, among other places, Hôtel Rydberg (which was later demolished, and the tapestries were transferred to Årsta slott). She also created wall decorations for the Wallenberg Grand Hôtel in Saltsjöbaden.
Around the turn of the century 1800-1900 Anna Boberg also worked with applied arts. She designed the Peacock Vase (Påfågelvasen) for Rörstrand in 1897 and glass for Reijmyre glassworks, as well as textile works. At the World Fair in Paris in 1900, where Ferdinand Boberg was the architect for the Swedish pavilion, Anna Boberg created numerous textiles, which were woven by the Friends of Handicraft association (Handarbetets vänner) and the K.A. Almgren silk factory. She was also the writer and set designer for Wilhelm Stenhammar's opera Tirfing, performed in 1898.
During a trip to northern Sweden and Norway with her husband in 1901, Anna Boberg was mesmerized by the grandiose scenery and nature of northern Norway, Lofoten in particular. During the following 33 years she painted mainly the landscapes and people of Lofoten, often in wintertime. In 1904, her husband drew a small house for her, which was built on the Fyrön island by Solvaer, where Anna Boberg could stay during her many trips to Lofoten. She most often took these trips alone.
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